Application (pre-grant publication)
MULTI-LAYER REPRESENTATIONS FOR ARTISTICALLY CONTROLLABLE STEREO CONVERSION
- Number
- 20260311353
- Published
- 2026-10-08
- Filed
- 2025-04-08
- Assignee
- DISNEY ENTERPRISES, INC.
- Inventors
- MEHL; Lukas Francesco, AYDIN; Tunc Ozan, WEBB; Emma L., SCHROERS; Christopher Richard, HUTCHINSON; Jacqueline P., ORTIZ; Raphael Francois
- CPC
- G06T7/50; G06T3/18; G06T5/50; G06T5/77; G06T2207/20221
- Verdict
- Low Notable software
- First reported
- 2026-W41 (2026-10-08)
- Source
- Google Patents · FreePatentsOnline
The keeper's note
Uses machine learning to predict depth and split a 2D image into layers so artists can convert flat footage into stereo 3D with manual control over the depth effect.
Abstract
The present invention sets forth a technique for performing stereo conversion. This technique includes generating, using a first set of machine learning models, a predicted depth map for an input image based on one or more depth values associated with pixels within the input image, determining one or more uncertainty regions associated with the depth map, wherein each uncertainty region identifies a different area of the input image having one or more pixels that can be in multiple depth layers on the input image, processing, using a second set of machine learning models, the depth map and the one or more uncertainty regions to determine, for each pixel in one of the one or more uncertainty regions, a foreground context and a background context for that pixel based on the depth map, and generating an output image based on the foreground context and background context.
Background
BACKGROUND Field of the Various Embodiments
Embodiments of the present disclosure relate generally to machine learning and computer vision and, more specifically, to techniques for performing artistically controllable stereo conversion using artificial intelligence. Description of the Related Art
Stereo conversion refers to the generation of stereoscopic video content from a traditional monocular (non-stereo) video sequence. For example, live-action feature films are often not filmed in stereo, but it may be desirable for a movie studio to produce a stereo version of a film for distribution alongside a non-stereo version of the film. This is achieved through stereo conversion implemented as a post-production process. Further, movie studios often possess large amounts of legacy content, and stereo conversion allows the studio to make this legacy content available to audiences in stereo.
Stereo conversion during the post-production process is a costly and often manual process. There are several approaches that offer automated or partially automated stereo conversion techniques. One subset of approaches operates with a single depth value per pixel and, as a result, struggle in several situations. For example, intricate object boundaries, such as hair where multiple colors may be mixed, cannot be represented with a single depth. In another example, reflections and partially transparent objects also require multiple depth layers. Finally, volumetric phenomena,